Объектив nikon af-s nikkor 70-200mm f/2.8e fl ed vr
Содержание:
Specifications
I got my 70-200/2.8E FL at Adorama; I’d also get it at Amazon, at B&H, at Crutchfield or used at eBay (How to Win at eBay.)
Name
Nikon 70-200 2.8 FL. bigger.
Nikon calls this the Nikon AF-S SWM NIKKOR 70-200mm f/2.8E FL ED VR IF.
an anti-reflection coating which varies its index of refraction continuously to achieve even greater reflection reduction. It’s probably only on one surface, and is used mostly for marketing purposes.
and SWM: Silent Wave Autofocus Motor.
NIKKOR: Nikon’s brand name for all their lenses.
Electronic diaphragm. Diaphragm stops down only on cameras introduced since about 2007 .
FL: Fluorite elements for sharper pictures.
Magic Extra-low Dispersion glass for reduced secondary chromatic aberration (sharper pictures).
VR: Vibration Reduction.
Internal focusing; nothing moves externally as focused.
∅77: 77mm filter thread.
Also has:
Couples distance information to the Matrix Meter.
for cost-reduction and removing compatibility with older cameras.
Optics
Nikon 70-200/2.8 FL optics. ED glass and Fluorite element.
22 elements in 18 groups.
1 fluorite element.
1 HRI high refractive-index element.
6 extra low dispersion elements.
Fluorine coatings front and back.
9 rounded blades.
Stops down to f/22.
Vibration Reduction
Rated 4 stops improvement.
Voice coil motor drive.
Focal Length
70~200mm.
When used DX, it sees the same angle of view as a 105~300mm lens sees when used on a 35mm or FX camera.
See also Crop Factor.
34.3º ~ 12.3º diagonal on FX.
22.8º ~ 8º diagonal on DX.
Internal focus.
No external movement as focussed, so no air or dust is sucked in.
Hood
Nikon HB-78 hood. bigger.
Back view of Nikon HB-78 hood showing metal latching lever. bigger.
Nikon 70-200 2.8 FL with HB-78 hood and caps. bigger.
The tripod collar is permanently attached, but the foot comes off.
More under at .
Size
3.4″ maximum diameter × 7.9″ extension from flange.
88.5 mm maximum diameter × 202.5 mm extension from flange.
Weight
Measured 50.270 oz. (1,425.1g) with collar and foot.
Measured 47.750 oz. (1,353.75g) with collar but without foot.
Foot only measures 2.520 oz. (71.4g).
Rated 50.4 oz. (1,430 g) with collar and foot.
14 December 2020
$1,897 at Adorama, at Amazon, at B&H or at Crutchfield.
About $1,500 used if you know How to Win at eBay.
$2,147 at Adorama, at Amazon, at B&H or at Crutchfield.
About $1,600 used if you know How to Win at eBay.
$2,797 at Adorama, at Amazon, at B&H or at Crutchfield.
About $1,600 used if you know How to Win at eBay.
$2,747 at Adorama, at Amazon, at B&H or at Crutchfield.
About $1,600 used if you know How to Win at eBay.
December 2019
$2,147 at Adorama, at Amazon, at B&H or at Crutchfield.
About $1,300 used if you know How to Win at eBay.
$2,499, February 2019.
$2,799, April 2018.
$2,599, July 2017.
$2,799, October 2016 ~ June 2017.
Box, Nikon 70-200mm f/2.8 FL. bigger.
FX G (2003-2009)
Nikon 70-200mm f/2.8 VR (77mm filters, 51.8 oz/1,468g with tripod collar, about $900 used if you know How to Win at eBay). bigger. I’d get mine at Amazon or at eBay.
This ad-free website’s biggest source of support is when you use those or any of when you get anything, regardless of the country in which you live. Buy only from the for the best prices, service, return policies and selection. Thanks for helping me help you! Ken.
April 2018 Nikon Reviews Nikon Lenses All Reviews
Replaced by the 70-200mm VR II as of Fall, 2009. Nikon 70-200mm history & timeline.
| Optics: |
as rated by working pros who use it every day for tripod-huggers just reading about it online |
| Ergonomics: | |
| Usefulness: | |
| Availability: | easy to find used |
| Overall: | found around the neck of every pro in the 2000s |
Ideal for: All-purpose pro tele zoom. Perfect for news, sports, indoor sports and theatre.
Not for: Manual focus film cameras.
FX VR ED N: World’s Best 70-200mm
Nikon 70-200mm f/2.8E FL (metal 77mm filter thread, 50.3 oz./1,425g with tripod collar, 3.6’/1.1m close-focus, $1,897 new or about $1,500 used if you know How to Win at eBay.) bigger. I got mine at Adorama; I’d also get it at Amazon, at B&H, at Crutchfield or used at eBay.
This ad-free website’s biggest source of support is when you use those or any of when you get anything, regardless of the country in which you live. Nikon does not seal its boxes in any way, so never buy at retail or any other source not on since you’ll have no way of knowing if you’re missing accessories, getting a defective, damaged, returned, store demo or used camera. Buy only from the for the best prices, service, return policies and selection. Thanks for helping me help you! Ken.
December 2020 Nikon Nikon Lenses All Reviews
See also the Tamron 70-200mm f/2.8 VR that works about as well for less than half the price.
В лаборатории
Я тестировал 70-200mm F2.8 с Z 7 II и программным обеспечением от Imatest. В целом комбинация дает снимки отличного качества даже на открытой диафрагме.
Nikon Z 7 II, 200 мм, f / 2,8, 1/200 секунды, ISO 90
Самые четкие результаты достигаются на 70 мм. Объектив делает снимки с выдающимся разрешением при широко открытой диафрагме (4570 линий) с плоским полем фокусировки, обеспечивающим резкость вплоть до края кадра.
Посмотрите, как мы тестируем камеры и объективы
Изображения показывают немного меньшую контрастность на 135 мм, что дает наилучшие результаты в нашем превосходном диапазоне для Z 7 II (4400 линий) от f / 2,8 до f / 11. Разрешение самое слабое на 200 мм, но оно по-прежнему очень хорошее на открытой диафрагме (3800 линий) и отлично при остановке до f / 8.
Вы можете остановиться и дальше, до f / 22, но это приведет к дифракции, оптическому эффекту, смягчающему детали. Сужение диафрагмы также снижает степень размытия фона и изменяет форму расфокусированных светлых участков. При f / 2.8 они показывают небольшую форму кошачьего глаза, но приобретают более приятную круглую форму при f / 4.
Боке при f / 2,8 (вверху) по сравнению с f / 4 (внизу)
Оптика показывает небольшое искажение подушечки при использовании объектива с отключенной коррекцией в камере. Точно так же отключение коррекции периферийного освещения приводит к снимкам с затемненными краями при f / 2.8. Когда они включены, вы получаете изображения без искажений с приятной скромной виньеткой при более широкой диафрагме.
Specifications
Name
Identity Plate: Nikon 70-200mm f/2.8 VR.
Name: Nikon calls this the Nikon AF-S
VR Zoom-Nikkor 70-200mm f/2.8G ED-IF.
and SWM: Silent Wave Autofocus Motor.
VR: Vibration Reduction, for shooting still subjects without a tripod.
G: , meaning the aperture ring was omitted to save cost. Won’t work on manual focus cameras.
ED: for sharper pictures.
IF: Nothing moves externally as you zoom or focus.
∅77: 77mm filter thread.
Also has:
Couples distance information to the Matrix Meter.
Bottom, Nikon 70-200mm f/2.8 VR.
Optics
21 elements in 15 groups.
5 ED extra-low dispersion elements, which help reduce secondary axial chromatic aberration.
Multicoating.
9 blades.
Round at larger apertures, nonagonal at smaller apertures.
Focal Length
70~200mm.
Used on a DX camera, it
sees angles of view similar to what a 105~300mm lens
would give on an FX or 35mm
film camera. See also Crop
Factor.
Internal focus.
No external movement as focused, so no air or dust is sucked in.
Close Focus
5 feet (1.5 meters), marked.
It gets a little closer than that. AF stops just short of the manual focus stop, so if you’re at the edge, twist the focus ring by hand and you may get what you need.
1:5.6 (0.18 ×).
(only 1:6.1 if you stop where the AF stops.)
CL-M2 case included.
| Nikon CL-M2 case. bigger. | Nikon CL-M2 case. bigger. |
Size
8.465″ extension from flange by 3.439″ diameter (215.0 x 87.35mm), measured.
Nikon specifies 3.4
inches (87mm) around and 8.5″ (215mm) long.
Nothing changes when focused or when zoomed.
Weight
51.790 oz. (1,468.15g), measured, with tripod collar.
Nikon specifies 50
oz. or 1,430 g, a little lighter than the 80-200mm
AF-S or a little heavier than the 80-200mm
AF-D.
Премиум-сборка и цены
Nikkor Z 70-200mm F2.8 VR S – это объектив, который понравится требовательным фотографам, работающим с системой Nikon Z. Он проверяет все нужные параметры – фантастическая оптика, прочная всепогодная конструкция и надежный автофокус.
Nikon Z 6 II + TC-2x, 340 мм, f / 5,6, 1/400 секунды, ISO 220
Он не делает ничего кардинального с точки зрения дизайна. Соперник Canon попробовал коллапсирующую конструкцию для своего первого беззеркального фотоаппарата 70-200 мм, но Nikon придерживается проверенной конструкции внутреннего зума. Это дает больший объектив в целом, но я определенно предпочитаю традиционный подход Nikon.
Это хорошо, поскольку альтернативы камерам Z нет – третьи стороны не вмешались, а Nikon все еще работает над созданием библиотеки. Если у вас есть переходник объектива FTZ, вы можете использовать вместо него объектив SLR. AF-S Nikkor F4G ED VR – хороший выбор для фотографов, которым нужен более легкий комплект, в то время как Sigma 70-200mm F2.8 DG HSM Sports подойдет, если вы больше озабочены экономией денег, не пропуская F2. 8, и оба стоят менее 1500 долларов.
Плюсы
-
Отличная оптика
-
Быстрая и тихая автофокусировка
-
Дыхание с минимальным фокусом
-
Защита от пыли, брызг и пятен
-
Совместимость телеконвертера
Посмотреть больше
Суть
Профессиональные фотографы, использующие беззеркальную систему Nikon Z, будут довольны объективом Nikkor Z 70-200mm F2.8 VR S, но заплатят больше за эту привилегию.
Compared
I got my 70-200/2.8E FL at Adorama; I’d also get it at Amazon, at B&H, at Crutchfield or used at eBay (How to Win at eBay.)
Versus the World
This 70-200/2.8 is lighter and focuses closer than any other 70-200/2.8. Yes, it’s at least as sharp as any other 70-200, but when you earn your living with it every day, what really matters is weight and close focus instance All pro 70-200mm lenses are ultrasharp, but that doesn’t matter if the subject is too close to get in focus!
And oh yes — this 70-200 has four AF lock buttons around the lens so you don’t have to use any other fingers to lock focus at the camera.
Versus Canon
Of course it’s silly to compare; you have to use whatever fits your camera.
Compared to the newest Canon 70-200/2.8 IS L II, this Nikon 70-200/2.8 FL is the same size and has the same maximum macro reproduction ratio and similar distortion, MTF and sharpness, but this Nikon focuses a little bit closer (3.6’/1.1m versus 4’/1.2m) and this Nikon weighs less (1,425g versus 1,600g) with collar. As of December 2016, the Nikon costs more ($2,800 versus $2,000).
It all comes down to what fits your camera and if you want to pay $800 extra to save carrying an extra 6.2 oz./175g around your neck. If you earn your living with this lens every day, the $800 is easily worth it.
Of course the Canon 100-400mm L IS II is better than any 80-200 or 70-200 ever made by anyone because it goes all the way to 400mm with no converters to change, and it focuses both closer and faster than any other f/2.8 telephoto zoom. We needed f/2.8 back in the days of film, and with digital f/4.5~5.6 is fast enough for anything and we get at least as good or better bokeh at 400mm at f/5.6 than at 200mm at f/2.8 — but Nikon makes nothing to compete with Canon’s 100~400mm II.
| Introduced | 2016 August | 2020 January | 2009 December | 2018 January |
| Speed | f/2.8 | f/2.8 | f/2.8 | f/4 |
| VR rated | Four stops | Four stops | Three stops | Four stops |
| Close-focus |
3.6′ 1.1m |
6.6′ 2m |
8′ 2.2m |
6.5′ 2m |
| Max. Repro. Ratio |
1:4.76 0.21 × |
1:6.25 0.165 × |
1:6.4 0.16 × |
1:4 0.25 × |
| Front protective optical plate | none | none | Yes | Yes |
| Front filter thread | 77mm, metal | 112mm | none | none |
| Rear Filter Slot | none | none | 52mm | 40.5mm |
| Outside Diameter |
3.4″ 88.5 mm |
5.1″ 128 mm |
4.9″ 124mm |
5.0″ 128 mm |
| Length (from flange) |
7.9″ 202 mm |
12″ 304 mm |
10.5″ 268 mm |
14.3″ 362 mm |
| MTF, short end (click to enlarge) | (there is no short end) | |||
| MTF, long end (click to enlarge) | ||||
| Weight, w/collar |
50.3 oz. 1,425g 3.1 pounds |
114.6 oz. 3,250 g 7.2 pounds |
102.3 oz. 2,900 g 6.4 pounds |
123.5 oz. 3,500 g 7.7 pounds |
| Price per pound, 01/2020 | $890/lb. | $1,320/lb. | $860/lb. | $1,610/lb. |
| Price, 01/2020 |
Introduction
|
B&H Photo — Video — Pro Audio I buy only from . I can’t vouch for below. |
This Nikon 70-200mm VR was Nikon’s top professional zoom for news and sports photographers from its introduction in 2003 through the Fall of 2009 when it was replaced by the very similar 70-200mm VR II. Today this original 70-200 VR is still a remarkable professional lens. The only things the newer lenses do is focus a little more closely, weigh a little less, or maybe have a hair more sharpness visible only in the laboratory.
The only reason not to get this lens is the price, size
and weight, all of which are to professional standards. You can get the same superb optical performance in lenses that cost much less, but they won’t have VR, or they’ll require moving a switch to get to manual focus, or they won’t zoom, or they won’t autofocus. If you’re shooting DX, the 55-200mm DX VR is just about as sharp, but doesn’t move as fast or take as much of a beating.
The reason the 70-200mm VR costs ten times what other equally sharp lenses might cost are because the 70-200 VR also offers:
1.) Fast f/2.8 speed for low light, soft backgrounds and action-stopping shutter speeds.
2.) Built tough: all metal except for rubber gaskets and bumpers.
3.) Built to last: many markings are engraved to outlast all of us.
4.) Fast, quiet AF with a silent wave motor. You won’t scare sensitive subjects as other AF lenses might.
5.) Instant manual-focus override: just grab the focus ring at any time
6.) Vibration reduction so you can leave the tripod at home.
7.) Three to lock focus when pressed and held. These are extremely handy once you learn to use them.
8.) Better bokeh than most other Nikkor lenses.
This
70-200mm f/2.8 VR
is one of the two lenses used by most professional photographers
every day. The other lens is usually a wide zoom on a second body.
Nikon’s other 80-200 f/2.8 AF costs much less and offers the same great optics and fast f/2.8 aperture as the VR lens, but doesn’t offer advantages 4~7 above. Nikon’s previous 80-200mm f/2.8 AF-S offered most of the advantages of this 70-200mm VR, except for vibration reduction.
If
you’re contemplating getting this lens, just get it. If you’re more familiar with the plasticy $500 — 1,500 VR lenses like the 18-200mm VR, 70-300mm VR, 24-120mm VR or the 80-400mm VR, then you’ve in for a pleasant
surprise. The mechanical quality of the 70-200mm VR is several steps above any sub-$1,500 lens. It’s completely
metal, completely solid, and a pinnacle of professional durability,
optical quality and precision.
The
70-200 VR is a little lighter than my $1,500 80-200mm AF-S.
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Mr. & Mrs. Ken Rockwell, Ryan and Katie.
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Sample Images
Desert Fountain, 19 November 2016. Nikon D810, Nikon 70-200mm f/2.8E FL at 155mm, f/2.8 hand-held at 1/40 at Auto ISO 800. bigger or full-resolution file to explore on your computer.
Desert Construction, 20 November 2016. Nikon D810, Nikon 70-200mm f/2.8E FL at 200mm at f/2.8 at 1/1,000 at Auto ISO 100. bigger or camera-original file to explore on your computer.
Look at how sharp is the metal mesh, even in the corners, and this is shot wide-open at f/2.8 at 36 megapixels. You can’t get sharper than this.
Desert Spanish Tile, 20 November 2016. Nikon D810, Nikon 70-200mm f/2.8 FL at close-focus distance at 200mm at f/2.8 at 1/2,000 at Auto ISO 100. bigger or full-resolution file to explore on your computer.
Its macro ability is unmatched by any other Nikon f/2.8 tele zoom, with a super-close 1:4.76 maximum reproduction ratio.
Botts’ Dots, 21 November 2016. Nikon D810, Nikon 70-200mm f/2.8 FL at 78mm at f/22 hand-held at 1/30 at Auto ISO 100. bigger or camera-original file to explore on your computer.
VR (Vibration Reduction) lets me hand-hold at almost any speed for when I need depth of field. No tripod needed!
Desert Brush at Dawn, 21 November 2016. Nikon D810, Nikon 70-200mm f/2.8 FL at 160mm at f/16 hand-held at 1/40 at Auto ISO 100. bigger or full-resolution file to explore on your computer.
Of course only the brush in the middle is actually in focus, and VR lets me hand-hold at 1/40 with no problem.
Row of Desert Palms at Dawn, 21 November 2016. Nikon D810, Nikon 70-200mm f/2.8 FL at 200mm at f/2.8 at 1/2,000 at Auto ISO 100. bigger or full-resolution file to explore on your computer.
Even at f/2.8, it’s scalpel-sharp from edge to edge. Remember that only a thin plane, not everything, is in perfect focus at f/2.8.
Golf Course with Palm Trees and Mountains, 21 November 2016. Nikon D810, Nikon 70-200mm f/2.8 FL at 82mm at f/2.8 at 1/2,000 at Auto ISO 100. bigger or full-resolution file to explore on your computer.
Ultrasharp at 80mm wide-open at f/2.8 as well; everything is ultrasharp from edge to edge. You wouldn’t really shoot daylight landscapes at f/2.8, but you can, and your night shots at f/2.8 will be as clear as day. In this shot, most things are in focus even at f/2.8.
Golf Course. Palm Trees and Mountains, 21 November 2016. Nikon D810, Nikon 70-200mm f/2.8 FL at 135mm at f/8 at 1/250 at Auto ISO 100. bigger or full-resolution file to explore on your computer.
Recommendations
This was the standard lens of the pros from 2003-2009, and today remains as a top professional lens. It’s not cheap, even used.
If you’re a pro or rich amateur, this is the lens for news, sports and action. For you weekend portrait shooters, this is also your lens. For serious portraits, I prefer the 135mm f/2 DC or longer lenses.
I
like this lens for it’s light weight (compared to other Nikon f/2.8
zooms) and ease of use.
If
you want to afford it by all means go get one. You’ll love it. Everyone else I’ve met who owns one loves it to death.
For serious amateurs and for photographing your kids at soccer, the $500 70-300mm AF-P VR FX is the lens to get if you don’t want to afford this one.
Again,
this 70-200mm f/2.8 VR (or the 80-200mm AF-D)
is one of the two lenses used by every professional photographer every
day. The other lens is usually a wide zoom on a second body. This
is Nikon’s latest professional workhorse lens.
I use a clear (UV) protective filter instead of a cap. I only use a cap when I throw this in my bag, otherwise I leave a clear filter on my lens at all times.
The best protective filter is the 77mm Hoya multicoated HD3 UV which uses hardened glass and repels dirt and fingerprints.
For less money, the B+W 77mm 010 is an excellent filter, as is the multicoated version and the basic multicoated Hoya filters or the 77mm Nikon Clear (NC — UV), but the Hoya HD3 is the toughest and the best.
Filters last a lifetime, so you may as well get the best. The Hoya HD3 stays cleaner than the others since it repels oil and dirt, and will outlast this lens.
For color slides like Fuji Velvia 50, I use a 77mm Nikon A2 or 77mm Hoya HMC 81A outdoors.
For B&W film outdoors, I’d use a 77mm Nikon Y48 or O56 filter, or a 77mm Hoya HMC Yellow K2 or 77mm B+W Orange. Use a yellow filter for normal results outdoors on B&W, and I prefer the orange for stronger clouds. If you use no filter the skies and clouds will be washed-out because B&W film is overly sensitive to blue and ultra-violet light; a yellow filter gives a natural rendition.
I’d get my 70-200/2.8 at Amazon or at eBay.
This ad-free website’s biggest source of support is when you use those or any of when you get anything, regardless of the country in which you live. Nikon does not seal its boxes in any way, so never buy at retail or any other source not on since you’ll have no way of knowing if you’re missing accessories, getting a defective, damaged, returned, , store demo or used lens. I use the stores I do because they ship from secure remote warehouses where no one gets to touch your new camera before you do. Buy only from the for the best prices, service, return policies and selection.
Thanks for helping me help you!
Ken, Mrs. Rockwell, Ryan and Katie.
Acknowledgment: Many thanks to Michael Hagen for loaning me this lens in 2008.
Ken Rockwell. All rights reserved. Tous droits réservés. Alle Rechte vorbehalten.
Описание
Будьте всегда готовы. Этот светосильный полнокадровый объектив для беззеркальных фотокамер с диапазоном фокусных расстояний 70–200 мм, улучшенной оптикой и надежной герметизацией подходит для любых условий съемки. Независимо от того, снимаете ли вы спортивные состязания, мероприятия или репортажи, исключительно компактная конструкция позволяет вам забыть о расстояниях.
К заданию готов
Снимайте фотографии или видеоролики. Объектив NIKKOR Z 70-200mm f/2.8 VR S готов к любым заданиям. Фокусировка выполняется быстро, плавно и почти бесшумно, и каждая деталь сюжета воспроизводится с потрясающей точностью. Вы можете управлять параметрами съемки прямо на объективе, а его конструкция достаточно прочная, чтобы выдерживать ежедневную эксплуатацию в профессиональных целях.
Прекрасное боке
Широкий байонет Z, постоянная светосила f/2,8 и скругленное отверстие 9-лепестковой диафрагмы дают отличный результат при любом освещении. Этот зум-телеобъектив обеспечивает плавный естественный эффект боке до самого края кадра.
Небывалая резкость
Этот объектив отличается выдающейся резкостью по всему кадру, даже при съемке с максимально открытой диафрагмой или на близких расстояниях. Минимальное расстояние фокусировки составляет всего 0,5 м в широкоугольном положении и 1 м в положении телефото.
Бликам — нет
Покрытие ARNEO и нанокристаллическое покрытие Nano Crystal Coat предотвращают двоение изображения и блики. Линзы из стекла ED и SR от Nikon противодействуют хроматической аберрации, стекло SR корректирует трудно контролируемый синий свет. Вы получаете более четкие изображения и лучший контраст.
Готов к видеосъемке
Если обстоятельства требуют видеосъемки, изображением можно плавно и точно управлять прямо с объектива. Информационная панель объектива располагает шкалой глубины резко изображаемого пространства, так что вы можете легко определить минимальное и максимальное расстояние при любой диафрагме. «Дыхание фокуса» практически отсутствует, стабильное управление диафрагмой помогает менять экспозицию на протяжении эпизода.
Выдержит все
Этот объектив надежно герметизирован и подходит для ежедневного профессионального использования в самых сложных условиях эксплуатации. Фторсодержащее покрытие защищает объектив от воды, пыли и грязи без потери качества изображения.
Удобство
Для колец зуммирования и фокусировки подобран комфортный вращающий момент. Бесшумное кольцо управления можно использовать для управления диафрагмой, ISO или коррекцией экспозиции.
Гибкая настройка
Блокировка АФ, замер экспозиции, брекетинг и многое другое. Вы можете назначить кнопкам «Fn» на объективе в общей сложности 21 различную функцию.
Фокусировка
С помощью информационного экрана ОСИД (OLED) можно быстро проверять диафрагму, расстояние фокусировки, точное фокусное расстояние, ISO и глубину резко изображаемого пространства прямо на объективе.
Примеры фотографий в галереях на сайте
Кроме фотографий здесь представлен список галерей, при фотосъемке которых был использован объектив Nikon 70-200mm f/2.8G ED AF-S VR II:
- Свадебные фотографии:
- Свадьба в Новочеркасске от начала и до конца
- Свадьба от начала и до конца: свадебное утро, Измайловский ЗАГС, прогулка в усадьбе Кусково, ресторан
- Летняя свадьба в Королеве
- Свадьба в «Малибу», Пирогово
- Рекламные фотографии, семейные и портретные фотосессии:
- Фотосъемка 1 сентября — «День знаний» в 31 школе г. Новочеркасска
- Рекламная фотосъемка пива «Святопрамен» — все фотографии в этой галерее выполнены на Nikon 70-200mm f/2.8G
- Романтическая фотосессия в Александровском парке Новочеркасска
- Лав-стори: три весенних эпизода
- Весенняя фотосессия лав-стори на природе
Фотографии соревнований по боксу в Новочеркасске
Getting a Legal USA Version
(for USA only)
I got my 70-200/2.8E FL at Adorama; I’d also get it at Amazon, at B&H, at Crutchfield or used at eBay (How to Win at eBay.)
In the USA, be sure your box has a sticker that says «5 Years:»
5-Year USA Warranty Sticker. bigger.
It should also have a USA warranty card floating around inside the box, possibly folded into the instruction sheet:
USA Warranty Card. bigger.
Be sure your card has the same serial number as your lens, otherwise it’s worthless. The serial number on the box should also match the lens and warranty card.
If you don’t have these things, you got ripped off with a gray market version from another country. This is why I never buy anyplace other than from my . You just can’t take the chance of buying elsewhere for a $2,800 lens, especially at any retail store, because non-USA versions have no warranty in the USA, and you won’t even be able to get firmware or service for it — even if you’re willing to pay out-of-pocket for it when you need it!
If a gray market version saves you $1,000 it may be worth it, but for $200 or less I wouldn’t risk having no warranty or support.
Always be sure to check your box while you can still return it, or just don’t buy from unapproved sources or at retail so you’ll be able to have your camera serviced and get free updated firmware as needed.
Get yours from the and you won’t have a problem, but if you take the risk of getting yours elsewhere, be sure to check everything while you still can return it.
